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Lempicka / Spring
Spring 1928
Lempicka / The Green Turban
The Green Turban 1930
Tamara de LEMPICKA
(1898-1980)

It is unusual for a female artist to achieve any standing in an art world dominatated by men, but Tamara de Lempicka's clear, strong style (sometimes called Soft Cubism) earned her a place at the top of the Art Deco movement.

(CLICK ON THE IMAGES OR LINK FOR FULL SIZE)

Lempicka / Self-Portrait
Self-Portrait (Tamara in the Green Bugatti)1925
Lempicka / Marjorie Ferry
Portrait Of Marjorie Ferry 1932
Lempicka / Marquis D'Afflitto
The Marquis D'Afflitto on a Staircase 1926
Lempicka / In The Middle Of Summer
In The Middle Of Summer 1928
Born in Poland in 1898, she fled to Paris from the Bolsheviks in the Russian Revolution (after securing her husband's freedom), and took up art to earn a living.

Lempicka's strong use of colour, and sharp edged forms produced very solid, powerful figures and she was in demand as a portrait artist by the rich.

Lempicka / The Model
The Model 1925
Lempicka / The Telephone
The Telephone 1930
Lempicka / Saint-Moritz
Saint-Moritz 1929
Lempicka / Old Man With Mandolin
Old Man With Mandolin 1935
Lempicka / Girl In Green With Gloves
Girl In Green With Gloves 1929
Lempicka / Kizette Sleeping
Kizette Sleeping 1934 aka Sleeping Woman. Kizette is Tamara's daughter and often modelled for her mother when young. This print may be the wrong way round.
The picture to the left, Girl In Green With Gloves, is probably Lempicka's most famous painting and clearly epitomises her style. The fabric and hair combine sharp lines and flowing curves and the whole form is strongly dimensional. Yet the picture remains firmly abstract and modern.
Lempicka / Potrait Of Grand Duc Gabriel
Portait Of S.A.I. Le Grand Duc Gabriel 1927
Lempicka / Portrait Of Madame Boucard
Portrait Of Madame Boucard 1931
Lempicka / Woman In Blue With Mandolin
Woman In Blue With Mandolin 1929
Lempicka / Portait Of Duchess La Salle
Portait Of The Duchess De La Salle 1925
Lempicka / Portait Of A Man (Incomplete) This is actually her first husband Tadeusz de Lempicka, but by this stage, prior to their divorce, she held him in utter contempt. So she deliberately did not finish the left hand, leaving off the wedding ring. The inclusion of the word Incomplete in the title further shows her opinion; she said he was 'wet', 'failure', 'imbecile'. However, she did continue to draw him years after.
Portait Of A Man (Incomplete) 1928
 
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